Monday, 20 May 2013

Breaking News! The Last Word is Written !



Chris Longmuir is asking for your help now that the last word is written!

I’ve been a bit absent on the media front lately because I’ve been working hard to meet a deadline.

Are you curious?

Well, a few weeks ago I wrote the last word in the last sentence of my new crime novel Missing Believed Dead. Since then the book has been edited to within an inch of its life, the cover has been designed, thanks to Cathy Helms of Avalon Graphics (it’s a cracker). And no, I’m not going to show you the cover today, nor am I going to tell you what it’s about - not yet anyway. I’m waiting until the book launch in July, before everything goes public.

Oh, and did I tell you that the launch of the paperback will be at Waterstones, in Dundee, on 11 July at 6.30 pm. Anyone who lives within spitting distance of the Dundee store is welcome to pop along and have a wee glass of wine with me. Of course, you’ll have to put up with me rabbiting on a bit, but it should be a good evening.

However, if you want a sneaky preview of the book, I’m looking for reviewers who can deliver a review by the first week of July. I want to have a bank of reviews on Amazon as soon as the book goes live. So, if you think you can meet that deadline, while I’m still working towards my deadline, then send me your email address and I’ll send you a prepublication Kindle file, and that way you’ll be able to see the lovely cover as well as read the book.

P.S. It would be great if one of Famous Five Plus Reviewers was able to send a review to FFP to be included on the web site.




Find out more about Chris and her publications by visiting our Author, Books, Review & Trailer Pages

Saturday, 18 May 2013

HUG A BOOK with Suzy Turner



Hug A Book is sponsored by






It’s HUG A BOOK and this weekend it’s with Suzy Turner

And

You could win a Kindle copy of


The Ghost of Josiah Grimshaw
A Morgan Sisters novel



Meet Suzy



Suzy Turner was born in Yorkshire in 1975. She lived there until 1986 when she and her family embarked on an adventure to a land where the weather was warmer and the people spoke a strange language.
It didn’t take long for Suzy to pick up the Portuguese language in her new home of the Algarve, but it was the English language that always enchanted her. She could usually be found with her head in a book, whether she was floating around in the swimming pool or tucked up in front of a roaring log fire (yes, Portuguese winters are chillier than most people imagine!).
After completing her A’levels (including English Literature), Suzy was offered a job as a trainee journalist for a local English newspaper. Although her love of writing began to develop, so did her hatred of intruding into people’s lives and so Suzy found herself working behing the scenes, which eventually led to writing features.
Accepting the job of Assistant Editor for a popular lifestyle magazine proved to be a position she particularly enjoyed, especially as she was often given the chance to meet and interview people from all walks of life. This led to her becoming the Features Editor back at the newspaper before eventually becoming Magazine Editor. The recession, however, had others ideas and Suzy had no choice but to accept redundancy.
With an ever supportive husband behind her, Suzy decided to do what she had always dreamed of. And so she became an author, writing books for teens.
Suzy continues to live with her husband in Portugal, although they are currently planning an adventure of their own - moving to another country!






Details of Book

Adopted sisters Lana Beth and Emma Jane are polar opposites, but when the same strange ‘tattoo’ suddenly appears and winds its way up their bodies within days of each other, they soon realize there’s more to their relationship than they could ever have imagined.
Sent off to London for two weeks of ‘work experience’, the Morgan Sisters soon find themselves being initiated into the ancient Praxos Foundation, one that protects the innocent while fighting evil, both human and supernatural.
At the same time, Lana Beth and Emma Jane must also investigate why the sweet but sometimes pesky ghost of Josiah Grimshaw just won’t leave them alone.



Available for Kindle (& paperback soon!)




Excerpt

Staying put on the side of the road, Lana watched him cycle away into the distance. She didn't want to go home and she certainly didn't fancy going back to the hospital, so she hopped back onto her bike and took an easy ride towards the old churchyard. As she approached the crumbling remains of the building that had been destroyed in 1953, she kept a close eye on Carlton Point which stared back down as if goading her.
But instead of pulling up at the churchyard, something made her continue cycling. It was if they weren't her legs pedalling. She just kept going. Breathless, her heart thumped in her chest as she came to a slow about halfway up the steep hill. Stopping, she climbed off and pushed her bike to the grassy expanse to the side of the pathway, letting it fall to the ground. She followed it and sat down for a few minutes, getting her breath back.
The wind picked up temporarily and with it came a gentle sound. It sounded like someone calling out her name. Turning to look up towards the very top of Carlton Point, Lana couldn't see anyone. Its just my imagination, she thought. It's just because my heart is beating like God knows what. But the sound continued persistently: 'Laaaanaa..... Laaaanaa.... Laaaanaa...'
'What the...?'.
Standing, Lana did a full circle squinting her eyes before chuckling nervously, 'Very funny, Scottie. I know it's you. You can come out now!' she yelled.
But nobody appeared.
She fidgeted with her fingers nervously. Her plan was to climb back on her bike and cycle away but her legs moved in another direction: towards the summit.
No, she thought, no...
But it was no good. She no longer had any control over her body and she continued walking until she reached the pinnacle of Carlton Point. Lana was terrified. She'd always had what she thought to be an irrational fear of heights. Just like Emma had an irrational fear of water. There was no explanation to either phobia. Then why am I here? Why did I climb up?
At the very top of Carlton Point was a small circular patch of ground surrounded by an ancient stone wall. On one side of it was the pathway she'd just walked along... although steep, there were no scary edges as such. But the other side was an altogether different story. She'd seen it in pictures, and from afar, but she'd never seen it up close.
Standing dead centre as she let her handbag fall to the ground, Lana closed her eyes just for a second. I'm not here, she thought, I'm in bed having a nightmare. But the gentle breeze told her a different story. She gulped hard and opened her eyes, her limbs incapable of moving further. But she was no longer in the centre of the circle. She was now looking down at a sheer drop hundreds of feet below.
She could hear her heart beating, feel it thudding in her chest. She couldn't open her mouth; it was too dry. All she wanted to do was scream but she couldn't even do that. Please God don't let me die, she thought.
A sudden massive gust of wind took her feet from beneath her and she was forcefully pushed from the top of Carlton Point, falling silently and peacefully to the rocky hills below.

Suzy’s Links




Question
What does Lana have a fear of?

Answers in the comments and good luck!






You can now watch the Trailer




Friday, 17 May 2013

A Leopard Changing It's Spots!!



Can this leopard change her spots? Asks Debbie Ingram, author of Poppy Days and Angel Girls.

I don't much like being pigeon holed. Whenever people find out that I write novels, their next question is invariably along the lines of "What type of books do you write?" that always throws me, as I am always at a loss as to what I should say.Just what is my particular niche? I usually er and um a bit before chundering on self consciously.If I say my books mainly appeal to women because they are about women's lives I get told that I write chick lit. I hate that term, though. I always have, even before I started my wobbly steps along the writers path. I find it dismissive and it seems to imply that it is inferior to any other genre. It sounds very sexist too.Or is that just me getting defensive?  Why is loving books that appeal mainly to females somehow light weight and inferior? it has always made me cross. Romance doesn't quite fit the bill, either. Even though there are romantic elements in my books. Hmm, trickier to pin down a genre than I thought!

If I say I write about strong female characters who triumph in the end, I'm told that I write feminine literature, which sounds to me as if I have a soapbox to stand on and a point to hammer home. Not true. I just try to write stories that I would like to read. My stories are influenced by some real life events but they are fictional characters and fictional stories. I do not have any hidden agenda. I just seem to find that words flow when I write about people I can relate to. I have often thought it would be far easier to write in a different genre altogether.

I wondered a while ago what it would be like to write a murder mystery even though this area is way out of my comfort zone. In fact , I liked the idea so much I actually started writing a new book where a who dunnit happens. It is proving to be a lot harder than anticipated. I had all the ideas in my head and it began well. I was brimming over with enthusiasm about this work in progress, and spent many months on it.I had sketched out and written down all the characters, and built up the plot until it got to the point where I bumped off my chosen victim. However, when it got to the nitty gritty so to speak, nothing. Not a word could I  write. I have read endless who dunnit books and enjoy them enormously. I now take my (writers) hat off to those authors, because I just cannot do it with any conviction. Try as I might, what I wrote sounded trite and totally unconvincing.It just was not happening. I got frustrated and worried that I had completely lost my mojo! The odd thing was, as soon as I changed tack and began another story, the words just began flowing again.  I have not given up on my murder mystery idea, just put that particular book  on to the back burner. I think it is going to be an up hill battle, but I don't like giving up on a potentially good idea and if I start something I like to finish it. The frustrating thing is I still think it was a good story idea. Trouble is, at the moment I just can't get my brain and my writing fingers to cooperate!

I also love horror stories. In my early twenties I read that particular genre back to back. My first tentative attempt at novel writing back then was, in fact, going to be a horror story. That was worse, far, far worse than my venture into the dark world of murder mysteries! It was so bad it was laughable. I am thankful that lap tops and indie publishing had not been invented back then. I may have inflicted an atrocity on to the world if it had been! That memory makes me smile though. I sat for hours every spare minute I had with my portable type writer and yes my bottle of Tippex tapping away writing drivel. Sorry to spout a few clichés now, but it really is true to say  we all have to find our feet and learn to run before we can walk. I had to find my niche. May be I can not change my spots?

I still like the idea of not being pigeon holed though. Who knows, maybe when I finish my current work in progress the words for that murder mystery or horror story may come flooding to me! Just don't hold your breath....


 Find out more about Debbie by visiting our Author, Books & Review Pages

Thursday, 16 May 2013

Life Imitating Art? by Gilli Allan



When it comes to talking about writing her latest book, Gilli Allan starts at the beginning!



The initial concept for Fly or Fall, (the story I am currently revising and editing for publication later in the summer) came to me many years ago. At the time I was living in Coulsdon, a suburban town, south of London, just inside the M25. We had a nice house and we were near to friends and family. My son attended a local primary school, my husband was in a good job and I was a published novelist. My life, as far as I was aware, was hunky dory. 

My first novel, Just Before Dawn, was already out in the world and my second, Desires and Dreams, was in the system. I needed to get on with my third novel. I began to think about a woman who dislikes change but who is forced by circumstance to move house from London to an area where she knows no one.  I tentatively started to write the opening chapters. Then my mother died, and my husband was head-hunted.

Suddenly my life had not only been turned upside down by the totally unexpected death of my much loved mother, but I was faced with exactly the same prospect that faced my heroine  The new job was in Gloucestershire, a county neither my husband nor I had ever even set foot in, let alone had friends in or connections to.  But it was an extremely good opportunity. I had a portable career and a bit of me had always fancied living in the ‘real’ country. In just over two months we’d found a house and actually moved in. Even though I’d supported our move, I found myself living through some of the emotions I had only previously imagined for my heroine. I put the book away, and, though I admit to having tinkered with it over the years, it is only now that I’ve decided to finish it and get it published.

Eleanor (known as Nell) doesn’t just dislike change, she is naturally cautious and has always been risk-averse.  She married young when she became pregnant with twins, thwarting her own educational ambitions. Nell has always lived in the same house in Battersea, and after she marries and has her twin babies, her life is additionally constrained by the fact she becomes the carer for her invalid mother.  After her mother dies, she and her husband receive an out-of-the-blue offer for the house which she has now inherited. But she doesn’t want to move, she has a superstitious sense that it will be the catalyst for some unimagined disaster. In response to her husband’s impassioned advocacy, she gives in and they move away from London, away from her friends and her safety net, to a totally new environment. 

Nell finds herself among women who have a totally different view of life to her own. She finds them materialistic and superficial. The fact they are married seems no bar to having adventures and revelling in the fact.  The house which Nell and her husband, Trevor, have moved to needs a lot of refurbishment. One of the men working for the building firm they engage to do the work, over a two year period, is infamous as a local Lothario.  So why doesn’t he make a pass at her?
Throughout the drama, the ongoing ‘improvements’ to Nell’s new house can be viewed as a metaphor. Against the low-key backdrop of the financial crisis, which culminated in 2008, the story follows the dismantling of all of Nell’s certainties, her preconceptions and her moral code. Unwelcome truths about her friends, her children, her husband and herself, are gradually revealed.  Ultimately Fly or Fall is a love story. And by the end, where I bring the book bang up to date, Nell has rebuilt herself as a different person, a braver person, and she has embarked on a totally transformed life.
The book begins in 2006, like this:

Fly or Fall
The cartoon rabbit ran straight off the edge of the cliff. He hung, apparently oblivious to his predicament, feet pedalling the empty air. There was a snigger, halfway between laughter and derision, from our twelve year old twins.
Perhaps belief is everything, I thought. If you believe you’re still on the same level, that life hasn’t changed, you won’t see the void which has opened beneath your feet. And if you don’t see it, you don’t fall. Inevitably the rabbit did stop running, did look down. I felt with him the nightmare lurch of panic, the sudden plunge downwards as he dropped out of frame. The result was explosive. As the dust cleared a precisely incised, rabbit shaped crater was revealed at the foot of the cliff.
‘I still can’t believe the amount of money....’ I murmured, with a dazed shake of my head.
‘So? What’s your problem? Any normal person would be jumping for joy.’ We were speaking quietly; the twins, had yet to be told their father wanted to move, let alone that without even putting the house on the market we’d received an eye-watering offer.
‘I’m not arguing,’ I defended myself half-heartedly. ‘But I suppose I’ve always thought the amount it might sell for was academic. We have to live somewhere. Your job’s here, our friends are here, the kids go to school here. Why sell?’
‘We’ve been through this. There’s nothing to keep us, not really. Why stay in Battersea when we could live in the country. Clean air, green fields, a house with a driveway and a garage?’
I hadn’t reacted the way he’d wanted and expected, and I could hardly explain why to myself let alone to him. Why did I have such a sense of foreboding? If I agreed to sell and move out of London, our lives would change in countless superficial and practical ways but, to use Trevor’s words, they’d be changes which most normal people would regard as improvements to the style and quality of life. To him it was a no-brainer. Why stay in a property worth so much money when we could sell it and move somewhere cheaper in the country. Deflated by my reaction to his plans he had to work hard to keep his irritation in check.
‘But it’s such an unremarkable house.’
‘For God’s sake Nell. Where have you been? You’ve heard about the property boom?’
‘But it’s smaller than the others in the block, with a much smaller garden. I never in a million years thought.... Anyway, what about your job?’
He sighed deeply. ‘I’m a teacher, I can get a job anywhere.’
‘Are you sure about that?’
‘I’m not dragging us off to the depths of the country on a wing and a prayer. I’ll make sure I’ve something to go to. I may quit teaching altogether.’
‘But you love teaching?’
‘I used to,’ he retorted darkly. I felt I was being drawn into an Alice in Wonderland world where all my certainties were being turned upside down. ‘Look the whys and wherefores are not important … the important thing is this. He waved the formal offer at me. His taut, flushed face betrayed his excitement, as he contemplated a very different future to the one I’d envisaged.
‘I don’t want … we don’t need so much money. Wealth can be very corrupting.’
He sighed again. ‘Of course it seems a lot to us because we’ve been scraping along for years. It’s only recently things have eased up a bit. But we’ll still need a house to live in,’ His tabby, greying beard received another vigorous raking. ‘We’ll only have the balance, to play with.’
‘I know that.’
‘Sure, our lives are going to change. But we are who we are. It is possible to be comfortably off, to have a few hundred thousand in an investment account, without abandoning your ideals. Unless you truly believe our principles are so flaky? The kind you adopt when you’re poor then slough off like a snake’s skin as soon as your circumstances improve?’
‘No one really knows how they’ll respond to temptation until they’re exposed to it. It’s a leap into the dark. Perhaps I am going to develop a taste for furs and diamonds and love-affairs. And you? Fast cars and bimbos?’
‘Do try to keep a sense of proportion. It’s not that kind of dosh.’
‘I am joking.’ But as I said the words I knew I wasn’t joking, not really. I had cloaked my real misgivings in the facile.
‘Anyway, how come you get to have love-affairs and I get the bimbos?’ he added, with a rueful smile. ‘Sounds a bit discriminatory to me.’
‘What is the male equivalent to a bimbo? A gigolo? A toy boy? Chance would be a fine thing.’
Much of the discussion so far had been conducted in this half-joking, half-serious vein. My insides still bubbled with a mixture of shocked surprise and apprehension, bordering on hysteria; I didn’t know whether to laugh or cry. For me it was still too soon to properly and calmly evaluate what all this would really mean to us. At length he spoke again.
‘You think I don’t understand, but I do.’ His tone was now conciliatory, bordering on the condescending. I remained silent, repressing the urge to flash back, ‘Good for you.’
‘I know all this has been a shock. I know the last few months since Beryl died, have been hard on you. Losing your surviving parent has got to change your perspective on life and the way you live it. Even when that parent had long ceased to be the mother you knew. We always knew you’d inherit the house. The probate will soon be sorted and we ... you’ll get the title deeds. What the house is worth is the only new element for you.’
But not for him? Had he been comparing house prices for years? Weighing up what my mother’s death could mean for us? I sensed a ‘But’ coming, possibly an ultimatum. Did he want to secure my compliance here and now? Yet, as he proceeded, I saw apprehension in his eyes.
‘Seriously, Nell, it’s down to you. If you really don’t want to sell the house and realise some of the profits by moving out and down-pricing, then I can’t force you.’
I glanced away from his intent stare, back towards the TV, which now flickered in the corner without its cynical audience of two. Since I’d last looked Bugs Bunny had not only survived his fall but had triumphed over his pursuers, in the interim mysteriously achieving a lifestyle of wealth and opulence. As the title music swelled the final frame revealed him lying back complacently against a pile of harem cushions, a jewelled turban balanced between his ears, the inevitable carrot held pinched in his fingers like a cigar.
‘Beats me why you can’t just accept it and rejoice? Trevor persisted doggedly. ‘Our ship’s come. It’s our turn.’
He made my misgivings seem increasingly nebulous and perverse. How could I continue to resist? One moment I’d felt like I was at the edge of a precipice, facing a leap into the unknown, yet still clinging to the possibility of retreat. Now I realised the world had shifted on its axis; there could be no going back. The secure ground had vanished from beneath my feet. I had only two options left  ̶  to fall or to fly.




Find out more about Gilli by visiting our Author, Books & Review Pages

Wednesday, 15 May 2013

Peggy Stanton talks to Jane Leonard



Today, Peggy Stanton talks to the amazing Jane Leonard from Magnolia House, a formidable woman in every way.


Peggy: ‘Hello Jane, thank you for taking the time to come along and see me. Do sit down.  I know it’s been a trying time for you of late. I’m talking her from experience because I know families can create mayhem and not stop to think of the consequences.’

Jane: ‘Never a truer word said, Peggy. I only wish I could turn the clock back, but then don’t we all from time to time.’

Peggy: ‘It’s a terrible business selling your house at the best of times, but after nearly five decades it must have been impossible. How on earth did you cope with all the stress?’

Jane: I nearly didn’t. Have you any idea what it’s like having strangers traipsing through your house, poking their noses into your rooms, cupboards and personal effects? Not to mention all the measuring up that went on. I can tell you Peggy when that Estate Agent hammered into my lovely lawn that great big vulgar sign, For Sale; I thought it would be the end of me.’

Peggy: ’I shudder at what you must have gone through, but there’s a box of tissues if you need them, don’t worry about me, I’m only glad you can now talk about it.’

Jane: ‘That’s kind of you, but I’ve shed all the tears I’m going shed. I’ve been to hell and back in the last few years and I’ve learnt a lot about people and life. Oddly enough despite everything, I’ve come out of this a stronger person, I’m an old lady and I’ve lost almost everything I had, almost.’

Peggy: ‘It all happened after you gave half of your house to your only son.’

Jane: ‘It had happened years before my signing over half of Magnolia House. The events that took place back then I had at last come to terms with. It was one of the reasons I gave my Ben half of the house, it seemed the right thing to do. I don’t regret giving him part of my home, but I do regret what happened later. I only wish I had coped better and then things might have been different.’

Peggy: ‘I admire you Jane, I’m not sure I would have coped so well.’

Jane: ‘You know, I spiked their guns at first, but it was all in vain in the end, I was a fool and silly old fool at that.’

Peggy: ‘I see Pauline Barclay has written a book about your Magnolia House. What do you think about it?’



Jane:  ‘I’m glad you’ve a copy, you see it’s not just about me. It’s also about the sale of my lovely home, Magnolia House. Pauline has included the people and families who form part of the events that took place during that terrible time and I’m glad she did because in a strange way they helped. As you know, I had to sell Magnolia House, I had no choice and in the end it changed my life. It also changed the lives of the people who were part of the selling chain. Looking back it was momentous, a lot of tears where shed, many happy as well as very sad.’

Peggy: ‘Are you bitter about having to sell Magnolia House?’

Jane: ‘I was at first, I was so angry I couldn’t think straight, I felt betrayed and dreadfully let down, but everything happens for a reason, so I’ve been told, and on reflection it does.’

Peggy: Thank you dear Jane for coming in to chat, I know it couldn’t have been easy. Do help yourself to scones, I used your recipe and they have turned out perfect.

Magnolia House is available in paperback & Kindle from all Amazon stores and can be ordered from all book shops




You can find out more about Pauline and her books by visiting our Author, Books, Trailer and review Pages


Tuesday, 14 May 2013

A Closet Writer!



Can you believe that Melanie Robertson-King was a closet writer?

For a number of years, I pursued my dream of becoming a published author quietly.  Gradually, over time I let the women in my office know of my dream and sometimes shared snippets of my writing with them. I remained leery about going company-wide and stayed in the comfort of my "writing closet". I wrote a few short stories for local contests with varying results (never did get the top prize) and after taking a creative writing course began writing non-fiction articles with moderate success. There was something about writing romance fiction that didn’t quite seem to fit in the world of truck drivers. No, I don’t drive a truck but I’ve worked in the payroll department for the same company over twenty-five years now.

There was something about my writing that was personal. It was mine and something I had totally to myself. I shared if and when I wanted. I can honestly say, I certainly didn’t want anyone to know the number of times the various drafts of my manuscript had been rejected. I’ve likely got enough rejection letters to wallpaper a room. Suffice it to say, if I were to print them, I would definitely need Stephen King’s spike (that he talked about in his book On Writing) and then some.

Even after I got my contract with 4RV Publishing, a small press in the US, I still didn’t let a lot of my co-workers in. Over the course of getting my book cover and edits, I opened up my closet door and let more folks into my world of fiction. I found out it wasn’t so bad after all. When it came right down to it, it was great having their support. I shouldn’t have been so stubborn in the first place, but that’s just the way I am.

Then on September 20th, 2012 the following email went out company-wide.
Not sure if everyone is aware that our very own Melanie King has spent the past couple of years chasing her dream of writing and becoming an author.
Well her hard work and love of writing has paid off and she has just published her first book. The title of the book “A SHADOW IN THE PAST” written by Melanie Robertson-King.
She had her official booking opening in the US on Sept 15th and she will be doing her Canadian Book Opening and signing in Brockville on Saturday Sep 22nd at the Wedgewood on King Street at 2pm.
Please join me in congratulating Melanie on her success.
We are all very proud of you Mel!!
Leslee

Now the folks in Sarnia and Mississauga knew of my life as a "closet writer", too. The rest of that day and the following one, I was inundated with emails. When I left work, I received a number of good wishes from even the mechanics on the shop floor! When launch day came, the media room at the Wedgewood was filled to capacity – co-workers, writers’ group members, friends.

Me thinks spending a lot of my writing career to-date in the "closet" wasn’t such a good idea.



Find out more about Melanie by visiting our Author, Books & Trailer Pages

Monday, 13 May 2013

Special Guest, Novelicious Books


A couple of weeks ago there was an exciting announcement from Novelicious as they sang from the roof tops about the launch of their brand new publishing company. Eager to find out more, Pauline Barclay invited the founder and owner of this super new company to FFP HQ to see what authors can expect from this vibrant new publisher.

P: You are a very successful review site, but last week you announced an exciting new venture, Novelicious Books. Is there a link between the two?

K: Thanks, and thanks for having us! Yes, there is a definite link between the two. Over the years, Novelicious has grown beyond the review site it initially began as four years ago, and has become a place where like minded readers and writers celebrate women’s fiction on a daily basis. We think that a publishing imprint centred around the members of our community is an exciting and timely idea.


P: Your web site looks dynamic and exciting, what can authors who sign with Novelicious Books expect?

K: Thanks for that! We put a lot of work into making the website gorgeous, clean and easy to navigate. We intend to follow that focus on design through to our book covers and author branding.  Authors who sign with Novelicious Books can expect genuine passion; expertise (we are working with editors who are experienced in traditionally publishing women’s fiction); a tailored relationship based on the author’s career goals; and a fresh, dynamic and smart approach to digital publishing.


P: I am sure many authors are checking out your web site, but are you looking for a particular genre or a particular age group?

K: We are strictly modern women’s fiction. For our Originals line (full length fiction) we are looking for strong voices, stand out protagonists and escapist stories. We're particularly interested in anyone who can make us laugh! For our Smalls line (novellas) the niche is a narrow one – romantic comedies with a unique premise.  The minimum wordcount for the novellas is 15,000 words, so potentially a great idea for someone who writes but hasn’t currently got the time to finish a full manuscript.


P: Will you be considering mss from indie authors who have already published?

K: Yes.  We’re definitely happy to consider books that have been previously self-published.


P: When can we expect to see the first published e-book from Novelicious?

K: The first Novelicious Book will be out in the world and on to people’s e-readers later this summer. We’re really excited about it!


P: Can you sum up in three words what makes Novelicious the publishing company to be with?

K: Platform, Royalties, Passion.

That sounds dynamic! Thank you Kirsty for stopping by FFP HQ and sharing your exciting new venture. I wish you great success and look forward to seeing and hearing more from Novelicious. Good luck!


Authors and readers find out more about Novelicious
Visit the Novelicious Books website at www.noveliciousbooks.com
Follow Novelicious on Twitter @Novelicious
and on







Find out more about Pauline by visiting our Author, Books, Trailer & Review Pages